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The Art of Attraction Names - Part I In this series of articles, I hope to deconstruct the theme park attraction name to understand what makes them effective, their role in the theme park experience and identify the numerous considerations and influences that can shape just a few small words.
Attraction names are incredibly important and must simultaneously accomplish a number of objectives, appealing to a wide range of people, and at the same time simply sound good. Those words on a park map or the name above a queue-line may be the only incentive for a guest to commit their park time to the unknown attraction within.
Whether an attraction name sounds great is of course highly subjective, but what possibilities for names there are, and what constitutes a good name from a practical and communicative perspective is certainly something that can be analysed.
Despite their apparent simplicity, good attraction names require an aptitude and flair for language to fulfil everything required from them. Historically, attraction names were originally remarkably Finding nemo retelling essay, even in Disneyland.
Attraction names would differ between the park maps, the park guides, the attraction sign or between employees, and in many cases included little thought at expression, being more description than an attempt at evoking an adventure as in the case of the Disneyland Mule Pack Ride.
Through time, however, attraction names have come to be recognised as an important element in the overall show, as will hopefully be explained. Purpose Theme park attraction names need Finding nemo retelling essay fulfil a number of practical requirements, the most fundamental of which being to get the guests to want to experience the attraction and justify their waiting in line, a goal often accomplished by an intriguing, exciting or inviting name to draw people in.
Each attraction name needs to be somewhat unique, not overly complicated and immediately identifiable with the attraction it refers to so incidents of mistaken identity are not common a problem which might cause guests to search for a different attraction to the one they wish to experience.
Beyond this however, an attraction name can also be selective in order to specifically target the appropriate audience for that particular experience. It is of no value getting guests of all ages interested in an attraction designed only for a specific age bracket: The attraction was eventually given a make-over in which it was made to specifically target a younger demographic.
Certain words and phrases are more likely to appeal to children than adults, and this can be used to appeal to certain groups. As well as demographic selection, an attraction name should also give a general sense of what the attraction is, empowering the guests to be self-selective in choosing the attractions which will most appeal to them.
Finally, the attraction name also takes a role in being one of the first elements in telling the story, equipping the guests with their first morsels of information about the experience to come.
The name is generally the first piece of incluing guests receive, and can be used to prepare the guest who some expectations about the attraction. Attraction names divide into those which are diegetic and those which are extra-diegetic, the deciding question here being whether a fictional character in the presented environment would call the attraction by the same name as a guest.
For example, a cowboy in Frontierland would be knowledgeable about the Big Thunder Mountain Railroad, but a spaceman in Tomorrowland would be expecting perhaps the Star Command Headquarters over a location called Buzz Lightyear Astro Blasters.
Great Moments with Mr. Assuming a goal of creating seamless fantasy environments in which an attraction is just a logical extension of what the characters in that world might get up to, the extra-diegetic attraction name seems somewhat problematic, isolating the attraction as a distinct entity.
With the avoidance of attraction names being far too logistically problematic, the general solution has to been to accept the name as a manifestation of Theme Park Acknowledgement.
Attraction names cannot always be diegetic or even if they can be, may hold far more expression in a name which is extra-diegeticand so designers have chosen to embrace this, devising names of wonderfully theatrical and cinematic proportions, such as the Haunted Mansion, Revenge of the Mummy or Space Mountain: Diegesis is generally favoured because it continues the illusion of the environment.
Whilst the name may be suitable for the experiences, seeing the extra-diegetic signs breaks the illusion of being in a real futuristic city: A solution may have been to have a video billboard as the attraction entrance, broadcasting a fake news alert that Stitch has escaped, whilst the two-dimensional Stitch flat could have been a Stitch silhouette shaped cut-out through the metalwork, as though the destructive alien had ripped his way right through it whilst the shape remained familiar to guest passers-by.
Diegesis can often lie in the presentation of the attraction name. Consider the Twilight Zone Tower of Terror, which is certainly extra-diegetic as a name.
At Tokyo DisneySea, the Twilight Zone source material was dropped due to a lack of exposure in Japan and the attraction came to be known simply as Tower of Terror - a name which might very well have remained extra-diegetic.WHAT IS POINT OF VIEW? It is the "how" of the narrative. Point of View is the angle or vantage point from which events of the story are presented.
Point of View is the way the author allows the reader to "see" and "hear" what is going on.
Point of View is the perspective from which the story is told. Encourages teamwork, friendship, and helping others. Family is where you find/make it, and change and innovation aren't to be feared. The wolf pack's motto is "the strength of the pack is the wolf, and the strength of the wolf is the pack.".
The Lion King is a American animated epic musical film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. Finding Nemo, Monsters, Inc., and The Little Mermaid during and The Lion King inspired two attractions retelling the story of the film at Walt Disney Parks and Resorts.
The first. Finding Nemo - My Bubbles (Inferencing Activity) Essay topics for yr 8 Aug · FULL YEAR OF VISUAL WRITING PROMPTS Writing an essay can be a daunting task for both teachers and students in terms of creating and crafting a high quality essay, and.
(Use to practice asking and answering questions, inferring, and/or retelling events. “Hearken, my beloved brethren, Hath not God chosen the poor of this world rich in faith, and heirs of the kingdom which he hath promised to them that love him?”. Three drops of red blood on white snow, against an ebony window frame.
Three dresses the color of the sun, the moon, and the stars in the sky. Rough hemp necklaces, swapped in the night for the gold chains of the giant’s children.
These familiar motifs leap to mind, not just because we know them.